Friday, October 30, 2026

Pre Launch Book ' Dance of the Divine (मातृकाशक्तिविलास) ' Reveiws :-


Pre-Launch-Reviews given by kind readers on the upcoming book 
' Dance Of The Divine ' (मातृकाशक्तिविलास). 

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12.


Archana Sharma 
Research Scholar 
Panjab University,  Chandigarh


या देवी सर्वभूतेषु चेतनेत्यभिधीयते।
नमस्तस्यै नमस्तस्यै नमस्तस्यै नमो नमः॥

To that Goddess who resides in all beings as consciousness, I bow to her, I bow to her, I bow to her, again and again.

मातृका- शक्ति-विलास (Dance of  the Divine) is a remarkable exploration of the profound wisdom of Śākta Tantra, Mātṛkā Vidyā and Kuṇḍalinī Sādhana. What makes this work particularly valuable is its emphasis not merely on philosophical explanations but, more importantly, on the practical and sādhānātmaka dimensions of spiritual knowledge.

The detailed discussions of mantra, varṇa, chakra, āsana, mudrā, bandha, prāṇāyāma and Kuṇḍalinī practices offer meaningful insights and practical guidance for sincere sādhakas. The author deserves special appreciation for bringing traditional Tantric wisdom into a meaningful dialogue with contemporary perspectives on physiology, psychology and scientific inquiry.

The author's own profound experiential engagement and long-standing commitment as a sādhaka of the Śākta tradition lend authenticity, depth and experiential significance to this work. His personal understanding and sādhānātmaka involvement are reflected throughout the book, making it much more than an intellectual or theoretical exposition of the subject.

The beautiful divine representations, pictures, sketches, illustrations and explanatory diagrams deserve special appreciation. They make subtle and intricate concepts easier to visualise, comprehend and incorporate into meditation and spiritual practice. The inclusion of practical exercises, chakra visualisations, informative charts and explorations of sound-based applications further enhances the practical and applied significance of the book.

Its underlying philosophical message resonates beautifully with the celebrated Sanskrit verse:

“शिवः शक्त्या युक्तो यदि भवति शक्तः प्रभवितुं
न चेदेवं देवो न खलु कुशलः स्पन्दितुमपि”

— Śiva becomes capable of creation only through the union with Śakti.

Having shared an association with the author for more than a decade, I particularly appreciate the sincerity, dedication and sādhānātmaka spirit reflected in this work. It is not merely a book to be read, but a valuable companion for contemplation, disciplined practice and inner exploration. May this work inspire seekers to move beyond intellectual understanding towards experiential realisation, in the true spirit of the Sanskrit wisdom:

“सा विद्या या विमुक्तये” — That alone is true knowledge which liberates.

The central vision of the book also resonates with the profound Sanskrit expression:

“सर्वं ज्ञानं परं ब्रह्मणि प्रतिष्ठितम्” — All true knowledge ultimately finds its fulfilment in the realisation of the Supreme.

Ultimately, Mātṛkā-Śakti-Vilāsa is a valuable contribution to India's Śākta and Tantric heritage. It invites readers to move beyond theoretical knowledge towards the contemplative and experiential understanding of Śakti. It will serve as a meaningful companion for seekers aspiring to transform knowledge into Sādhanā and Sādhanā into realisation.

The book also enriches my understanding of my research area, Sri Aurobindo’s Integral Yoga, and resonates deeply with my own individual journey from inner awakening to spiritual transformation. It offers a meaningful perspective on the profound relationship between spiritual knowledge, disciplined practice and the evolution of consciousness. 

I wholeheartedly congratulate the author for this sincere, insightful and enriching contribution to the spiritual and intellectual exploration of Śākta Tantra. 

May this profound work continue to inspire seekers to tread the path of spiritual awakening, deepen their Sādhanā and be blessed with divine grace. May all sādhakas experience the दिव्य विलास (Divine Play) and परम आनंद (Supreme Bliss) of Śakti.

जय मातृका शक्ति। जय आद्याशक्ति।

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11.
Pradeep Sharma, 
(Civil Engineer),
Gurgaon.

A Journey into the Mysteries of Consciousness: A Reflection on Sadhana and Spiritual Realisation

Shri Shaktanand Ji’s present work is, in many ways, the culmination of his earlier writings, decades of inquiry and a profound engagement with spiritual knowledge. More than a scholarly exposition, it is a reflection of a lifelong journey of Sadhana, where intellectual inquiry finds its fulfilment in lived experience.

I have known Shaktanand Ji for nearly twenty-five years. What distinguishes him from many other seekers is his rare ability to approach acquired knowledge through the lens of Sadhana—to move beyond intellectual understanding towards experiential realisation. His insatiable quest for knowledge, coupled with an extraordinary commitment to practice, lends his work both intellectual depth and spiritual vitality. His endeavour to interpret the subtleties of spirituality through a contemporary, scientific perspective is particularly remarkable.

One of the most profound dimensions of this work is its exploration of the evolving states of Chaitanya (consciousness), its manifold transformations and its manifestation through different divine powers and deities (मातृका शक्ति). The subtlety with which the author explores these dimensions, particularly on pages 18–19, almost evokes the intellectual rigour of Quantum Physics. It invites not merely reading, but sustained contemplation and an openness to realities beyond the immediately perceptible.

The work also bears the unmistakable imprint of the Guru tradition. The wisdom of his three Gurus—of Mahayoga, Kriyayoga and Tantra—finds a thoughtful synthesis in these pages. This is more than an acknowledgement of spiritual inheritance; it is an expression of profound gratitude and an offering of Guru-dakshina (गुरु दक्षिणा). The philosophical resonance of Pandit Gopinath Kaviraj’s Svasamvedana (स्वसम्वेदन) is also discernible, reflecting the author's engagement with the deeper currents of Indian spiritual thought.

The illustrations in this work, along with the author's earlier book Akhand Mahayoga, containing more than ninety percent illustrations, offer valuable support in understanding its intricate concepts. Together, these works open a wider canvas of spiritual inquiry. I feel that developing shorter modules based on this text would help carry its profound insights to a wider circle of seekers.

What makes this work particularly significant is the convergence of nearly four to five decades of experience, contemplation and spiritual practice. Its strength lies not merely in what it explains, but in what it invites the reader to explore. Here, spirituality is not simply a subject of intellectual engagement; it is an inward journey towards experience and realisation.

Ultimately, the true worth of this book lies in the Tapasya, dedication and experiential wisdom that breathe through its pages. It reminds us that knowledge becomes meaningful when it is lived, that devotion deepens through Sadhana, and that the journey towards consciousness is as much an inward awakening as it is an intellectual pursuit.

My heartfelt appreciation to Shri Shaktanand Ji for this distinctive contribution and for a lifetime devoted to the pursuit of spiritual wisdom. May his Sadhana continue to unfold, and may this work illuminate the path of many seekers. With reverence and humility, my salutations at the sacred feet of Maa Bhagwati. .................................Jai Maa, Jai Maa, Jai Maa!


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                                                                                 10.



Dr Ashwani Gupta, Orthodontist, 
MDS, FRACDS.
Melbourne, Australia.

Mātrikā-Śakti-Vilās is a concise yet profound exploration of Mātrikā-Śakti, the subtle power inherent within the letters of the Sanskrit alphabet. Drawing from the traditions of Mātrikā Vidyā and Śabda-Brahma Vidyā, the book presents the ancient insight that sound, speech, and language are not merely tools of communication but fundamental principles underlying consciousness and creation itself.

The author examines Sanskrit vowels (Svara) and consonants (Vyañjana) as primordial vibratory forces that shape human perception, cognition, and creativity. Moving beyond purely mythological and theoretical interpretations, he explores their relevance to contemporary fields such as health, psychiatry, consciousness studies, and even modern scientific inquiry.

Particularly intriguing is the discussion of Akhaṇḍa Mahāyoga Jyoti Mudrā, presented as a means of gauging spiritual evolution. The author situates this concept within the deeper esoteric realms of yogic experience while drawing thought-provoking parallels with ideas emerging from quantum physics. This creates a unique dialogue between Tantric wisdom and modern perspectives on consciousness.

Book's practical orientation is noteworthy. Alongside clear illustrations and accessible techniques for working with Kuṇḍalinī Śakti, it presents complex ideas with clarity while preserving their philosophical depth. As a result, the work serves both as an introduction to the science of sacred sound and as a meaningful guide for serious students of Tantra, mantra, and spiritual practice.

Suneet Joshi (Shaktanand) deserves commendation for his clear and insightful presentation of a profound and often overlooked subject. His work succeeds in making complex spiritual concepts both accessible and inspiring to modern readers.

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                                                                                 9.


Rajesh Sharma,

Toronto, North York.

It is a great pleasure to read this book of  'Dance of The Divine' to be launched soon for spiritual aspirants to buy and read. The writer, Shaktanand (Suneet Joshi) has put in his years of  hard labour in this path of Yog, Kriya, Tantra to develop a very sound understanding of the concepts of eight limbs of Yog Bindu, Shunya, Kala etc. The book deals in detail on the subject of  matrikas, considered as building blocks of the cosmos which normally is not seen on general media platforms, as they are very indepth aspect of Adhyatam. He has discussed all these from the point of view of modern scineces like physics, anatomy, Psychiatry (for application) and Psycholgy, Yog, Tantra, Kriya and Akhand Mahayog of Gyan ganj giving both theoratical and practcal  tips for understanding of both initiate and adept. I thank the writer, Shaktanand ji to bring forth these hidden aspects for sadhaks to understand and work on for their spiritual evolution and I also wish him all the success in his future projects. 

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8.


Rajesh Sharma,

California, USA.

It gives me an immense pleasure to write a review on this book of ' Dance of the Divine' written by Shaktanand (Suneet Joshi), whom one has known since childhood, going through school and college, interest in sports, entering into engineering profession and then one day leaving everything behind to answer the call of the heart. Have seen him put in decades of hard work in this field and then coming up with this gem of experiential book. The writer has spent years doing sadhana in Hatha yog, Ashtang yog, Kriya Yog and spent more than two decades in field of tantra to understand its real meaning. One is witness to his various Himalayan sojourns and meeting many masters, earning sitting at their feet, clearly shows his complete dedication towards the spiritual path and Sanatan. 

Present book carries a great detail on the divine matrika shakti  which we understood only as vowels and consonants only through our education system. Its really fascinating to know the details given here by the writer how each one is different and is the cause of creation. The book refers to this difficult subject  with great simplicity and takes the reader through Physicist views, Anotamists view, Yogic and Psychological view points to make them understand the subject better. It is a thorough theoratical and practical guide for every one which if followed sincerely will surely attract divine blessings. I wish the writer best of luck in all fields of spirituality.  Good luch brother with your new venture. 

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7.


Nishant R - (Founder),
Spiritual Gym Foundation,  
New Delhi.

Some books are read. Some books are experienced. 'Dance of the Divine' belongs to the second kind. Written by my Guru bhai, my spiritual friend and guide Shaktanand ji, this is not just a book on Kundalini Shakti - it is a 'Love Letter' to Mother Divine. 

The central truth of the book is both simple and profound, and the author states it with absolute clarity. Whatever religion one follows, whatever sadhana one undertakes, in the end it is 'Kundalini Shakti' alone who rises in the sadhak to take him to the final goal of 'Self-realization'.

For the author, this is not a borrowed concept but a lived reality. You can feel it on every page - that after years of contemplation, everything has dissolved into 'Her' alone. That sincerity is what gives the book its power.

What I loved most is how he presents the Mother Divine not as a distant, esoteric power, but as the most intimate presence. With great love, She gives birth to her child, nurtures every requirement against all odds, carving his worldly journey - because She alone knows that a strong mind and body are needed to transcend all karmic debts. As the book beautifully reminds us: Without body, no karma can be performed and without neutralizing all karmas, return is just not possible.

Thus, every soul is continuously guided by Her, without even knowing it.

The book brings us back to our foremost duty as a jeev - to recognise Her presence everywhere. Be it as a mother, sister, wife, friend or the silent power behind every bearing, sustaining force in creation - it is all Her. 

And yet, the author does not shy away from our human failing. In the realm of ONE, watching the play of many, we get deluded. The curtains of Maya (illusion) in the form of five elements fall upon our eyes, we begin to feel 'I am the doer' and lose sight of Her. The book is a gentle but firm reminder of that ultimate truth: Without Shakti, nothing is possible.

This is not a book of techniques or methods. It is a book of bhava (EMOTIONS). It will resonate deeply with any sadhak who has felt that invisible hand guiding his life, who has at some point wondered who is truly doing it all.

My Gurubhai Shaktanand ji has not written this book as an author. He has written it as a son, as a devotee who is in awe of his Mother.

I bow to the Mother Divine who inspired it, and to my Gurubhai who had the courage and love to pen it down.

A must-read for every seeker, regardless of the path he walks.

Sri Matrey Namah 🙏           

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                                                                                    6.


Anil Bist, 
Punjab University, 
Chandigarh

The book very beautifully unfolds a rich symbolic understanding of the chakras and their associated Devi Shaktis, highlighting the significance of their respective weapons, vehicles, medicinal associations, elements, deities, Rashis, Kalas, and Nyasa practices. It explains the framework in which frequency, symbolism, the human body, and the divine are understood as interconnected dimensions of spiritual experience. For the seekers of spiritual knowledge and readers interested in Shakti Tantra, this book is a must read to experience the raas of matrika shakti as it contemplates the profound journey from the foundational energies of Mooladhara to the transcendental symbolism of Mahabindu. I would like to thanks Acharya Joshi ji for enlightening the readers with this profound knowledge.

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                                                                                    5.


Shalini Sangwan, 
Nityanand Dham, Chandigarh.

Spirituality is a mystical subject. It is difficult for a layman to verify the authenticity of any spiritual material. It can also be overwhelming, confusing, difficult to read, difficult to understand and yet more difficult to absorb.

That’s why ‘Dance Of The Divine’ is a book that is a must have, carrying rare research and mystical knowledge presented in a simple, reader-friendly, 320-page hard cover edition. The author, Suneet Joshi, is an erudite and sincere spiritual scholar, carrying the blessings of several Siddha Masters - including Sai Kaka, a great Saint from Maharashtra - which gives this work the ultimate seal of authenticity. Sai Kaka, in a written testimonial, has said that the book has manifested on Earth to raise the global consciousness and would play it’s role to expand global compassion, peace, well-being and abundance.

Going beyond religion, Suneet Joshi’s book, which is divided into three parts - theory, practical and data - essentially explains with great simplicity and detail how Matrika Shakti or Kundalini Shakti alone, is responsible for all creation as well as for any spiritual seekers’ end goal of Self Realisation. 

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4.

    

 K K Mishra , IPS ( retd), 

Former DGP, Haryana.

I came to know Shaktanand (Joshi ji) a few years back, though i have been taking baby steps on the path of knowledge for past sometime and have met some spiritual gurus but Joshi ji was entirely different.He was not a spiritual teacher or a sanyasi like others, but a trained engineer with years of sadhna behind him, he was a sanyasi, scholar and researcher. At the sametime, he was equally proficient in karmkand also. I learned kriya yog from him. I accompanied him to Dharmshala also when he went to seek blessings of HH Dalai Lama. The experience still lingers on my mind.      

His magnum opus, DANCE OF THE DIVINE is in my hands.I will refrain from commenting on the book , which will be a sacrilege. It’s a serious reading and explains in greater detail asanas, mudras, bandhs and kundalini practice in lucid language which will benefit the sadhak.

I pray to the Divine to grant Joshi ji all the Kripa he deserves on his path of sanyas and enlightenment. 

Om Tatsat.                   

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3.


Manjeev Sabherwal,

Chandigarh.

 I was mesmerised : The book is a Masterpiece of Spiritual and Visual Devotion.

“Dance of the Divine “offers an extraordinarily comprehensive roadmap for both theoretical understanding and practical realization. By structuring the spiritual journey into clear, systematic phases—moving effortlessly from the diverse lenses of physics, physiology, and yoga into rigorous practices like Shad Adhwa Shodhan and Chakra Sadhana—this book serves as an invaluable guide for both sincere seekers and experienced practitioners.

What truly elevates this text into a deeply immersive, meditative experience is its striking aesthetic presentation. The meticulously crafted visual depictions and eye-catching artwork serve as powerful conduits for contemplation. Rather than acting as mere illustrations, these evocative sacred images possess a profound resonance that effortlessly bridges the gap between the practitioner and the Divine Mother. The arresting beauty and symbolic power of the imagery capture the radiant presence of the Devi, dramatically deepening the reader's intuitive connection and making the internal awakening of Matrika Shakti feel intensely tangible and immediate.

For anyone looking to deeply explore the mechanics of consciousness, energy centers, and the sacred feminine, this work is a visually magnificent and spiritually transformative treasure. Highly recommended.

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2.

सुरेंद्र सिंह मिन्हास,

ऐ जी एम (बी एस एन एल),   


यह पुस्तक एक साधक की दशकों की साधना का सार है। आरंभिक अध्यायों में ही लेखक ने तंत्र, योग और अखंड महायोग की गूढ़ बातों को जिस सरलता से प्रस्तुत किया है, वह प्रभावित करता है।

लेखक स्वयं को विशेषज्ञ न बताकर इसे एक सच्चा प्रयास कहते हैं, जो पाठक के मन में उनके प्रति सम्मान जगाता है।

मातृका और वर्णमाला का रहस्य विशेष रूप से उल्लेखनीय है। 51 वर्णों, चक्रों और उनके स्थानों की व्याख्या चित्रों सहित दी गई है, जिससे जटिल विषय भी सुगम हो जाता है।

यह पुस्तक आधुनिक विज्ञान और आध्यात्मिक तथ्यों, दोनों को भलीभाँति समझते हुए लिखी गई है। परमाणु, ऊर्जा और साम्य जैसी वैज्ञानिक अवधारणाओं को आध्यात्मिक सिद्धांतों से जोड़ने का प्रयास इसे और भी रोचक बनाता है।

यह पुस्तक जिज्ञासु साधकों और अध्यात्म में रुचि रखने वालों के लिए एक अनमोल मार्गदर्शक है। लेखक ने जन-कल्याण की भावना से जो ज्ञान साझा किया है, वह सराहनीय है। .............  सुरिन्द्र सिंह मिन्हास-सोलन-हिमाचल प्रदेश, भारत।

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1.


Sparsh Rana,

Oracle, Banglore.


Dance of the Divine is a remarkable work for any serious spiritual seeker. The author brings together a deep understanding of Tantra, Kriya Yoga, Akhand Mahayog, and various aspects of spiritual practice, presenting them through theoretical, practical, physiological, and biological perspectives.

What makes this book particularly interesting is the way it explores profound subjects such as Kundalini Shakti, mantras, Varna Matrikas, chakra practices, Jyoti Mudra, and kriyas. Rather than limiting itself to theoretical explanations, the book also explores practical applications that can help readers deepen their understanding and incorporate these teachings into their spiritual journey.

One of the most valuable aspects of the book is its attempt to bridge traditional spiritual wisdom with practical experience. It offers perspectives on aspects of life and consciousness that we may not ordinarily reflect upon, encouraging a deeper understanding of the relationship between spiritual knowledge and personal transformation.

The book is relevant to seekers from different backgrounds, irrespective of their religious beliefs or spiritual paths. Whether one is exploring Tantra, Kriya Yoga, or simply seeking a deeper understanding of the self, the teachings offer plenty to contemplate and explore.

Overall, Dance of the Divine is a worthwhile read for anyone genuinely interested in exploring the deeper dimensions of spirituality. It invites readers not just to acquire knowledge, but to reflect, practise, and deepen their understanding through personal experience.

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Thursday, October 15, 2026

काल जय/ Time Transcendence


ध्यान की प्रगाढता एवम् गहराई ही साधक के लिये  कालजय का सूचक है।

Focus and deoth of dhyana is the indicator of transcendence of time for a practitioner or sadhak.




Wednesday, September 30, 2026

Sakal to Nishkal

Upto wherever is the reach of the mind is till than is the real of duality, till then is the concept of karma and till that point is the presence of Kaal (time). Where there is no mind there is nothing, onlt witness state. When this witness state is fully realized, mind becomes actionless or still. When mind becomes still then all the vibrations in the body cease, all muscles and fibres still. 

When every thing was vibrating the chanted mantra was in Vishuddhi chakra and slowly slowly it descended downward. When the vibrations in the body decrease we proceed towrads the state of kumbhak. When state of Kumbhak become established and strong then mantra decends into Mooladhara. This happens when mantra metamorphasizes from vachak or vaikhari (वैखरी) state to Madhyama state (मध्यमा) via upanshu jap. 

On stillness of the mind, dual of Ida and Pingala also neutralize and Sushumna flow starts. Inside Sushumana the flow gets upward directed. This upward movement is infact chakra bhedan or piercing of the lotuses. In an ordinary person these 7 downward pointing centres are called Chakras (चक्र) while in sadhak they are known as lotuses (कमल). 

As more and more stillness is attained, by that much percentage effect of mind and desire or passion decreases. When one gets full control over the desireless and passions associated with  a particular lotus then only one piercs it. Piercing gives one full control or adhikar (आधार) over that very energy centre. Thus one's path towards piercing of subsequent chakras is opened. This by raising the first bindu of Mooladhar through Sushumana, one joins it with that of Swadhissthan above it. This way Kundalini shakti gains strength. This way as all the six chakras bindus are raised and joined together in the bindu of Ajna chakra then Kundalinin Shakti becomes  fully empowered. Now it exhibits itself in the form of light instead. This in itself is known as reaching Pashyanti (पश्यन्ति) from Madhyama (मध्यमा). 

Till now we felt the Pranic energy as heat (ushma) inSushumana and as bolt like jerks (झटके) in Vajra, now the same energy is felt in the form of light (prakash) or sight or Chitra (चित्रा). This is the experience of Pashyanti state through Chitrani (चित्रणी). When Dharan (धारणा) becomes stronger here, Bindu () is perceived in the centre. When Dharana on Bindu is strengthened then the constricted hole in its centre starts opening. In the strong focussed state with the help of Brhamnadi () sadhak crosses to the other side to enter into the realm of Mahamaya leaving the realm of Maya behind. Maya is the realm of give and take or Vyavhar (), where karm is essential but the space of Mahamaya is the realm of Prem or Love, where grace descends and karm vanishes. 

After the bindu crossover one reaches Ardh Chandra, Siddh Guru space in Nirodhika. After prostrating to his Padukas in Hamsa peeth, seeking his blessings one moves forward. As one moves mantra becomes more and more subtle. Thus one moves from Naad to Naadant, when Nadant is reached then mantra become s almost silent. 

After nadant is the space of Shakti which is moved with Bhav, as karm alone is not enough to move it. Thus one moves from Shakti to Vyapini, Vyapini to Unmani. Unmani is the state of transcendence of individual mind. As mind has ceased, so mantra jap cannot be performed. Here the bhav intensfies and mantra descenda into the heart. There it breaks into light and sfuran and become Ajapa. Sadhak just experiences and he is not required ot chant it. Mantra flows in the form of sfuran in our breath, in our pran and in every pore of the body.

Thus moving from Shakti, Vyapini, Unmani one moves towards Mahabindu bhedan through Brahmnadi. Mahabhaj starts rising and bhakti starts descending due to grace (Kripa) of the Mother. Upto Unamna is the movement of Mind and mantra. After this Mahabindu bhedan has to be attained. After crossing it one will have to leave Brahmnadi and follow Chetana Shakti which is in the form of light ray. This is the journey from Kampan to Kalan. As one approaches source of Chietan Shakti, the pool of Chetana, one reaches Param Bindu from where journey from Kalan to Nishkal is started.........Shakanand. 


Tuesday, September 29, 2026

Easy Pitra Tarpan Vidhan

An easy process of giving tarpan to pitras as suggested by Rajesh Mishra Kan for all the readers. It can be used all the time so one can copy it and keep it in one's record.

 पिता को जलांजलि

सर्वप्रथम स्नान करके दक्षिण दिशा की ओर मुख करके, जल में दूध, तिल और अक्षत/जौ मिलाकर तीन बार पिता को जलांजलि दें। जल देते समय ध्यान करें कि वसु रूप में मेरे पिता जल ग्रहण करके तृप्त हों।

अपने गोत्र का नाम लेकर बोलें,…… गोत्रे अस्मतपिता ….(पिता …__ का नाम) सपत्नीको वसुरूपस्तृप्यताम् इदं सतिलं जलं तस्मै स्वधा नमः, तस्मै स्वधा नमः, तस्मै स्वधा नमः ।

 दादा दादी को जल देने के लिए मंत्र

अपने गोत्र का नाम लेकर बोलें, गोत्रे अस्मत्पितामह: ….(पितामह का नाम)  सपत्नीकोरुद्ररूपस्तृप्यताम् इदं सतिलं जलं  तस्मै स्वधा नमः, तस्मै स्वधा नमः, तस्मै स्वधा नमः

प्रपितामह /परदादा को जल देने का मंत्र -

अमुक गोत्र:अस्मत्प्रपितामह: …(परदादा का नाम) सपत्नीको आदित्यरुपस्तृप्यताम् इदं सतिलं जलं तस्मै स्वधा नम: । तस्मै स्वधा नम:, ! तस्मै स्वधा नम:!

नाना नानी के लिए

अमुकगोत्रा अस्मन्मातामह: (नाना का नाम) वसुरूपस्य तृप्यताम् इदं सतिलं जलं तस्मै स्वधा नमः तस्मै स्वधा नम:, तस्मै स्वधा नम:

प्रनाना के लिए

 अमुकगोत्रा अस्मत्प्रमातामह: (प्रनाना का नाम) सप्तनीको रुद्ररूपस्य तृप्यताम् इदं सतिलं तलं तस्मै स्वधा नमः तस्मै स्वधा नम: तस्मै स्वधा नम:।।

वृद्धप्रनाना

अमुकगोत्रा अस्मत्वृद्धप्रमातामह: (वृद्ध प्रनाना का नाम) सपत्नीको आदित्यरूपस्य तृप्यताम् इदं सतिलं जलं तस्मै स्वधा नमः तस्मै स्वधा नम: तस्मै स्वधा नम:

Note: मंत्र में सपत्नीको शब्द का उच्चारण नही करना है = पत्नी सहित की सिर्फ भावना करनी है, ।

यह नित्य तर्पण की अतिलघु विधि है।

जिस दिन तिथि हो उस दिन विस्तार से अवश्य करना चाहिए।

जिनका नाम ज्ञात न हो उनके लिए अज्ञात नाम संबोधन करना उचित है।

जय जय सीताराम!

सादर    

राजेश मिश्र 'कण'

राष्ट्रीय धर्माधिकारी- सौर-धर्म-संसद, प्रवक्ता- सनातन रक्षादल, संपादक- सौर-धर्म-पंञ्चांग

Saturday, September 26, 2026

Samudrik Shastra (सामुद्रिक शास्त्र)-: Part 7

 Forehead: 

Our brain has thre parts, front, rear and sides respectivey, which are the seat of varied kinds of powers and faculties. In frontal cortex of brain hope, perseverence, wisdom and dignity. In the rear part of the brain, greed, quarrelsome behaviour, dessires, attachment etc. stay. On the sides of the brain singing, music, dancing, painting such talents and sciences etc. develop. Out of these three which ever part is strongly built, healthy and developed that kind of attributes will shine in that person. 


Those who have high and wide forehead as per Sketch 1, such people are wise and thoughtful persons. 

While Sketch 2 people are with lesser intellectual capacity and a little irrational thinking.

Sketch 3 people protruding, shining forehead people have strong memory, like scholarly pursuits.



Sketch 6 type head people are quick witted, Shrewd, contemplative and highly intelligent. 

Sketch 7 kind of people are idealistic kind, leaders, great personalities, Spiritual people. Hard working, sharp, truthfull.


Sketch 6:When upper part is bulging a little and lower part is pressed inwards then such a person will be always making new plans, traveller with fashionable disposition.  

Sketch 7: forehead near eyebrows protruding front and rest pressed inwards: do not have good character and seem to be wanting in goodwill.


Sketch 8: rounded forehead. Person will be religious in nature, respectful, merciful, affectionate.

Sketch 9: Do not worry for anything, carefree nature, happy in all situations, not bothered by the world around them.

If back of the head is fuller them loving person if flatter then self centred. 

If this portion is soft, or depressed then person will easily agitated, self centred type. 

If back of the head is strong, flat and wide then person has great control over senses.

When we see the back of the head of people who are sadhus and are renunciate attitude.

People with very small head are fickle minded, shrewd but do not have shcolarship and depth.

Medium well proportioned head size depicts shcolarly, happy and virtuous people.

One wo has Ramanandi tilak on their forehead such people are promising, wealthy, hard working and successfull. .....................Shaktanand.






Monday, September 21, 2026

Launching Soon

 

Hi Everyone! Excited to share the back cover of my upcoming book soon to be published. I am sure all the serious sadhaks of Kundalini Shakti will like to have a copy of it and it will surely help them understand the subject better and also help them in their respective sadhana or practice. 




"World is seen through gross eyes 👀 (अधो नेत्र);

Chittakash (चित्ताकाश) is seen through divine eye 👁️ (दिव्य चक्षु) 

and

Chidakash (चिदाकाश) is seen through Vigyan chakshu/ eye (विज्ञान चक्षु). 

With help of Bhootshuddhi (भूतशुद्धि) one reaches Chittakash and with help of Chittshuddhi (चित्त शुद्धि), one reaches Chidakash" ...Shaktanand (शाक्तानन्द).

Sunday, September 13, 2026

Samudrik Shastra (सामुद्रिक शास्त्र)-: Part 6

A. Feet (from Red Book):

As per red book written by Pt.Roop Chand Joshi ji our feet formation tells many things as follows. 



                                                                            
If a line from heel on the soul reaches big toe then one will always have comfort of a vehicle in his or her life.

Sketch no 1: Person will not stay at one palce.

Sketch no 2: Will not get happiness out of 1st son or daughter.

Sketch no 3: Happy go lucky person.

Sketch no 4: Will be controlled by others, subservient to others.

Sketch no 5: Wife side family poor, grief stricken sorrowful state.

Sketch no 6: Good effect on person.

Sketch no 7: Governing Elite.

Sketch no 8: Unfortunate, unlucky.

Sketch no 9: woman comfort in life will be very less.

Sketch no 10: Woman in life will be shallow.

Sketch no 11: Good fortune/ destinu/ fate or luck.

Sketch no 12: Inauspicious and Unfortunate.

Sketch no 13: Owner of children.

Toe Nails (from Red Book) :

If toe nails colour of copper then person will be an authority or ruler.

If they are bluish then he or she will be high ranking official.

If pale or dull in appearance then person will be holding a very honourable position.

If black then person will be a thief or burgular.

Walking Speed (Ketu)-from Red Book:

Slow medium : lethargic, delay in all workings.

Quick but small steps : cool mind, high thinking, steadfast in all activities or endeavours.

Quick rapid pace : less wisdom, pious personality, headstrong and overly pleased by themselves.

Walks bending forward: wise, hard working, will not talk without any plea.

Walking step long but with a limp : greedy, more prone to doing bad to others.

Not able to sit peacefully at one place: miser, non-sensical, absurd.

One who walks with chest or stomach protruded in front: Sociable, listens to others and agrees with 
them, cheerful, arrogant , spirited.

Crooked gate, walks with shaking of head and waist : Slenderer of lederly persons, back biter, impure and defiled habits.

In fact which ever animals gate a man possesses, one certainly depicts similar traits, state and fate etc.

B. Hands:  Length of the fingers as shown in the sketch below and its effect on person

Finger                            2nd                                      3rd     

Normal                          Dominion                             Quick understanding

Longer than Normal     Contemplative                      Alone, Seclusion

Extra long                     Quick understanding            Lifeless or extinct ideas

Short                             a pious and devoutmperson  Baseless ideas.

Finger                            4th                                      5th

Normal                          Hand Skilled                         Power of Speech

Longer than Normal     Famous impersonator            Speech      

Extra long                     Extravaagant idea/                 Power to hide anything through speech.
                                      hedonistic attitude

Short                             likes to be famous                  Not trust worthy

            

                                                                (Illustration based on red book)

If we draw a square on the palm as shown above then what various sides of the square represent is shown in the diagram. Longer the side stronger that trait in the person.

6. Distance between 1&2, (Positive Mars & Jupiter): Courage and inner power of mind.
7. Distance between 2&3, (Jupiter & Saturn): Concerning power to contemplate and think.
8. Distance between 3&4, (Saturn and Sun): freedom of thought, will change his side anytime hence not   reliable.
9. Distance between 4&5, (Sun & Mercury): Self made, not look towards others for help.

If X is bulging outwards then power of speech will be very good and will be build clout, influence.

Wider wrist indicates romantic nature, love and service for mother, elders and ancestors. 

.........................Shaktanand (शाक्तानन्द).

Saturday, September 12, 2026

Samudrik Shastra (सामुद्रिक शास्त्र)-: Part 5

Neck (Ketu) :

It is difficult to turn a very thick neck. Therefore people with such necks can only see in front. Such people do dwell on the present things but they can not analuze the past. Such peopl are called stupid (मूर्ख).

Slender neck is generally attributed to shrewd (चालाक), wise people who always think before they act.  People who think very deeply their neck is bent forward so that their head is little forward bent. 

People who are facing a deep worry or anxiety their neck will be bent towards one side. Egoistic and brave people will have straight stiff necks. 

If we see long necked animals like, giraffe, Camels, Kangaroo, Saras, Ducks, they all are very coward in nature, same will be humans if having long neck. They do not carry any mental speciality. 

People with strong, round, medium sized neck will be heavier in size, deep, profound, majestic (तेजस्वी) and people whose neck is short and is almost inside the shoulders, such people are untrue in nature and prone to bad vices, addictions.

One in whose neck bones and veins are seen they do not enjoy good health. Every other day they face some physical problem with their body. Round beautifull neck represents disease free state. One on which too much flesh is loose and sagging they have many children. When bones of the neck are seen protruding outside it represents problem in procreative organs. If veins and artries are bulging in the neck then it represents repeated attacks of diseases in a person. 

One with flat neck, such people will keep on changing their ideas and actions

Creases on neck:

Number of creases on the neck : if 1 - long life; if 2 - will be addicted to pleasures, debauche; if 3 then wealthy but immoral in behavious; if 4 then full of problems; if no crease then he will be very wealthy person.

Ears :

Long ears represent humble, polite, meek and coward personality. But if their part attaching to the skull is thick, then big ears will reflect an eminent luminary person, a leader or a pious soul.

If ears are small then it represents a sociable person who is helpful, loving in nature. 

But if they are too small then it indicates small hearted, lower intellectual state, lower goal oriented people.

 If they are sticking towards the skull towards back side or hair line, then such people will have doubting nature, little submissive and shyness in character.

Elephant like straight ears represent manly character, strong nature and courage. If ears seem to be weakly attach with skull and outwards lie horns from the skull, then such people are greedy and cruel in nature.

Peole with thick, straight and high ears are of strange temperament. normally they live in right but if they are excited or tormented then they take a very ruthless form which is difficult to control.In such a state they can perform acts which normally one could never imagine from them, seeing their behavoiur when they were in normal state.

If point of attachment of ears to the skull is higher than eye level then such people are of angry nature. such people are cruel, ready take revenge, angry in nature.

If ear's joint to the skull is lower than upper part of the eye, then they are good natured, disease free body, have good intellect.

If ears are conch shaped then such people are having good status in society and are leaders. 

One who has long hair on the ears, they have long life. 

Small fleshless ears represent lower class person with suffering (दुख) and destitution (दरिद्रता) in life. 

Vascular ears showing lot of veins, it indicates cruel personality.

One whose ears are contracted into a small size, they are generally not to be believed and are impoversihed. It does not apply to wrestler ears.

If ears are at a distance from eyes then such people are thinking power is well developed.

Those whose ears are near to the skull they represent dispassionate nature, melanlchol. They do not take interest in any work and like to remian in seclusion.

If holes of the ear are smaller it is a good symptom. Where ever such peole live they will be happy. If ear holes are bigger then such people always create problems for others.

One in whom the ear hole is visible deep inside, such people are hard working, physically strong.

Those in whom hole is seen little as it is crooked such people have many frineds and are sociable in nature.

Long ears in males persons represent long life but less wisdom.

If ears are longer in female they represent wise and good digestion.

Small ears in males means wise person.

Small ears in women represent stupidity.............Shaktanand.